The voyeuristic gaze before the kidnap underscores her significance as a specimen to the collector. The intermingling of suspense and light-heartedness in the musical score and the constant shift of tone substantially diminishes the graveness of the crime and intentionally obscures the boundary between morality and immorality. The delicate depiction of the collector's obsessive psychology and almost admirable self-restraint, make it hard for the audience NOT to feel empathetic. This is an accomplished piece of adaptation, successfully captured the moral issues, class struggles, and artistic discussions that John Fowle
当年男亲女爱是有多红，都能跟梅艳芳搭戏做男主.
不过黄子华这种小家碧玉带上片名加持也没电影男主的气场啊，梅艳芳演个社恐小傻子也是随便压压他，后面做回住家小宠物就一切都对了.
片子本身大概属于黄子华粉丝向（这方面还蛮值得看的），别人就不用看了（梅姐粉丝有大把可以选不用勉强看这个啦），不过虽然没看过别的我也怀疑已经是他主演的最好看的电影了.
至少这种没有任何意义的片也是挺无害的.
本片出自奥斯卡最佳外语片导演保罗·索伦蒂诺之手，是他继《绝美之城》《年轻的教宗》《新教宗》之后的最新力作. 索伦蒂诺回到家乡讲述他至今最私密的故事，融合命运与家人、运动与电影、爱与失去等题材. 故事背景设于1980年代动荡不安的那不勒斯，主角是名叫法贝托·希萨的少年. 剧情充满出乎意料的欢乐桥段，像是足球传奇迭戈·马拉多纳的到来，但也少不了突如其来的悲剧，但命运不正是如此吗？人生悲喜交织，法贝托在这过程中一步步朝未来迈进.
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